вторник, 10 февраля 2026 г.

Audio of TREE MEN IN A BOAT by J.K.Jerome

Text 1. Three men in a boat by Jerome K. Jerome.
Go through the link and listen to the episode to be ready with test reading of the extract pages 9-11.

https://podcasts.apple.com/us/podcast/three-men-in-a-boat-to-say-nothing-of-the-dog-by/id740743008
Listen to the audio
From 3.04 to 7.34

Art for heart's sake / text 5 + audio


https://e-repa.ru/files/lessons-with-laughter/93-hobbyist/art-for-hearts-sake.html

Text 5. "Art for heart's sake" by Rube Goldberg

"Here, take your pineapple juice," gently persuaded Koppel, the male nurse.
"Nope!" grunted Collis P.Ellsworth.
"But it's good for you, sir."
"Nope!"
"It's doctor's orders."
"Nope!"
Koppel heard the front door bell and was glad to leave the room. He found Doctor Caswell in the hall downstairs. "I can't do a thing with him," he told the doctor. "He won't take his pineapple juice. He doesn't want me to read to him. He hates the radio. He doesn't like anything!"
Doctor Caswell received the information with his usual professional calm. He had done some constructive thinking since his last visit. This was no ordinary case. The old gentleman was in pretty good shape for a man of seventy-six. But he had to be kept from buying things. He had suffered his last heart attack after his disastrous purchase of that jerkwater railroad out in Iowa. All his purchases of recent years had to be liquidated at a great sacrifice both to his health and his pocketbook.
The doctor drew up a chair and sat down close to the old man. "I've got a proposition for you," he said quietly.
Old Ellsworth looked suspiciously over his spectacles.
"How'd you like to take up art?" The doctor had his stethoscope ready in case the abruptness of the suggestion proved too much for the patient's heart.
But the old gentleman's answer was a vigorous "Rot!"
"I don't mean seriously," said the doctor, relieved that disaster had been averted. "Just fool around with chalk and crayons. It'll be fun."
"Bosh!"
"All right." The doctor stood up. "I just suggested it, that's all."
"But, Caswell, how do I start playing with the chalk - that is, if I'm foolish enough to start?"
"I've thought of that, too. I can get a student from one of the art schools to come here once a week and show you."
Doctor Caswell went to his friend, Judson Livingston, head of the Atlantic Art Institute, and explained the situation. Livingston had just the young man - Frank Swain, eighteen years old and a promising student. He needed the money. Ran an elevator at night to pay tuition. How much would he get? Five dollars a visit. Fine.
Next afternoon young Swain was shown into the big living room. Collis P. Ellsworth looked at him appraisingly.
"Sir, I'm not an artist yet," answered the young man.
"Umph?"
Swain arranged some paper and crayons on the table. "Let's try and draw that vase over there on the mantelpiece," he suggested. "Try it, Mister Ellsworth, please."
"Umph!" The old man took a piece of crayon in a shaky hand and made a scrawl. He made another scrawl and connected the two with a couple of crude lines. "There it is, young man," he snapped with a grunt of satisfaction. "Such foolishness. Poppycock!"
Frank Swain was patient. He needed the five dollars. "If you want to draw you will have to look at what you're drawing, sir."
Old Ellsworth squinted and looked. "By gum, it's kinda pretty, I never noticed it before."
When the art student came the following week there was a drawing on the table that had a slight resemblance to the vase.
The wrinkles deepened at the corners of the old gentleman's eyes as he asked elfishly, "Well, what do you think of it?"
"Not bad, sir," answered Swain. "But it's a bit lopsided."
"By gum," Old Ellsworth chuckled. "I see. The halves don't match." He added a few lines with a palsied hand and colored the open spaces blue like a child playing with a picture book. Then he looked towards the door. "Listen, young man," he whispered, "I want to ask you something before old pineapple juice comes back."
"Yes, sir," responded Swain respectively.
"I was thinking could you spare the time to come twice a week or perhaps three times?"
"Sure, Mister Ellsworth."
"Good. Let's make it Monday, Wednesday and Friday. Four o'clock."
As the weeks went by Swain's visits grew more frequent. He brought the old man a box of water-colors and some tubes of oils.
When Doctor Caswell called Ellsworth would talk about the graceful lines of the andirons. He would dwell on the rich variety of color in a bowl of fruit. He proudly displayed the variegated smears of paint on his heavy silk dressing gown. He would not allow his valet to send it to the cleaner's. He wanted to show the doctor how hard he'd been working.
The treatment was working perfectly. No more trips downtown to become involved in purchases of enterprises of doubtful solvency.
The doctor thought it safe to allow Ellsworth to visit the Metropolitan, the Museum of Modern Art 13 and other exhibits with Swain. An entirely new world opened up its charming mysteries. The old man displayed an insatiable curiosity about the galleries and the painters who exhibited in them. How were the galleries run? Who selected the canvases for the exhibitions? An idea was forming in his brain.
When the late spring sun began to cloak the fields and gardens with color, Ellsworth executed a god-awful smudge which he called "Trees Dressed in White". Then he made a startling announcement. He was going to exhibit it in the Summer show at the Lathrop Gallery!
For the Summer show at the Lathrop Gallery was the biggest art exhibit of the year in quality, if not in size. The lifetime dream of every mature artist in the United States was a Lathrop prize. Upon this distinguished group Ellsworth was going to foist his "Trees Dressed in White", which resembled a gob of salad dressing thrown violently up against the side of a house!
"If the papers get hold of this, Mister Ellsworth will become a laughing-stock. We've got to stop him," groaned Koppel.
"No," admonished the doctor. "We can't interfere with him now and take a chance of spoiling all the good work that we've accomplished."
To the utter astonishment of all three and especially Swain "Trees Dressed in White" was accepted for the Lathrop show.
Fortunately, the painting was hung in an inconspicuous place where it could not excite any noticeable comment. Young Swain sneaked into the Gallery one afternoon and blushed to the top of his ears when he saw "Trees Dressed in White", a loud, raucous splash on the wall. As two giggling students stopped
before the strange anomaly Swain fled in terror. He could not bear to hear what they had to say.
During the course of the exhibition the old man kept on taking his lessons, seldom mentioning his entry in the exhibit. He was unusually cheerful.
Two days before the close of the exhibition a special messenger brought a long official-looking envelope to Mister Ellsworth while Swain, Koppel and the doctor were in the room. "Read it to me," requested the old man. "My eyes are tired from painting."
"It gives the Lathrop Gallery pleasure to announce that the First Landscape Prize of $1,000 has been awarded to Collis P.Ellsworth - for his painting, "Trees Dressed in White"."
Swain and Koppel uttered a series of inarticulate gurgles. Doctor Caswell, exercising his professional self-control with a supreme effort, said: "Congratulations, Mister Ellsworth. Fine, fine ... See, see ... Of course, I didn't expect such great news. But, but - well, now, you'll have to admit that art is much more satisfying than business."
"Art's nothing," snapped the old man. "I bought the Lathrop Gallery last month."
EXPLANATORY NOTES

1. jerkwater (Am. colloq.): small, unimportant.
2. railroad (Am.): railway. The lexical differences between the British and American English are not great in number but they are considerable enough to make the mixture of the two variants sound strange and unnatural. A student of English should bear in mind that different words are used for the same objects, such as can, candy, truck, mailbox, subway instead of tin, sweets, lorry, pillar-box (or letter-box), underground.
3. Iowa [ ˈaɪ�™w�™ ]: a north central state of the USA. The noun is derived from the name of an Indian tribe. Quite a number of states, towns, rivers and the like in America are named by Indian words, e. g. Massachusetts, Illinois, Ohio, Kansas, Mississippi, Missouri, Michigan.
4. rot (sl.): foolish remarks or ideas.
5. bosh (sl.): empty talk, nonsense.
6. umph: an interjection expressing uncertainty or suspicion.
7. poppycock: foolish nonsense.
8. by gum (dial.): by God.
9. kinda: the spelling fixes contraction of the preposition of and its assimilation with the preceding noun which is a characteristic trait of American pronunciation.
10. elfish: (becoming rare) (of people or behaviour) having the quality or habit of playing tricks on people like an elf; mischievous.
11. colored: the American spelling is somewhat simpler than its British counterpart. The suffix -our is spelled -or.
12. the Metropolitan Museum of Art: the leading museum in America, was founded in 1870. Its collections cover a period of 5,000 years, representing the cultures of the Ancient world and Near and Far East as well as the arts of Europe and America. Among the collections are the paintings, which include oils, pastels, water-colours, miniatures and drawings. There are over 5,000 exhibits, among which are the works of Italian, Spanish, Dutch, Flemish, German, French , English and American artists.
13. the Museum of Modem Art: a repository of art peculiar to the twentieth century, was opened in 1929. It has several departments among which are the department of architecture and design, the department of painting and sculpture, the department of photography.
14. gob (si.); a mass of smth. sticky.
15. admonish: to scold or warn gently.

вторник, 3 февраля 2026 г.

London schools face cuts to staff and budgets as pupil numbers fall

 London schools face cuts to staff and budgets as pupil numbers fall

Demand for year 7 pupi



ls is expected to fall by 7.6% over the next four years, with similar numbers expected in primary schools
 

Sally Weale

Mon 2 Feb 2026 18.36 GMT

Schools in London could lose £45m in funding over the next four years as pupil numbers continue to fall, a report has warned, with secondary schools facing staff and curriculum cuts as budgets dwindle.

Until now, primary schools in the capital have been worst hit by falling birthrates, leading to about 90 school closures or mergers in the past five years. But the crisis is now spreading to secondary schools, which are expected to see steep declines in pupil numbers.

A report by London Councils warns that inner London schools face the sharpest drop. Demand for year 7 places is expected to fall by 7.6% over the next four years, while reception places are forecast to decline by 6.4%.

Schools are funded on a per pupil basis, so falling numbers mean less funding. The problem is particularly acute in the capital, but is affecting schools across the country, raising fears education standards could be put at risk.

Councillor Ian Edwards, London Councils’ executive member for children and young people, said: “Maintaining high education standards is the absolute priority for London’s boroughs, but falling pupil numbers are putting real pressure on school budgets.

Boroughs are doing all they can locally to manage this whilst ensuring London’s education estate is protected, so school sites can continue to meet future need – particularly given the capital’s acute housing pressures and ambitious targets for housing growth.

“Without action to reflect London’s circumstances, schools risk having to narrow the curriculum and reduce vital support for pupils.”

The report estimates that the forecast decline in demand for school places equates to £15m in funding cuts for primary school budgets and £30m for secondary schools in the capital.

There are concerns that children with special educational needs and disabilities (Send) could be affected if support staff are cut. Schools may also be forced to reduce GCSE options, enrichment activities and school trips to save money.

“Although pupil numbers are decreasing, the need for additional support continues to rise,” the report said. “Schools are seeing increased demand for mental health and wellbeing support, higher levels of school avoidance and persistent absence, and growing numbers of children with Send.

“At the same time, schools experiencing falling rolls face diminishing budgets to meet these rising needs. Attainment gaps relating to ethnicity, Send and socioeconomic disadvantage also persist, placing further strain on schools’ ability to deliver equitable outcomes.”

London Councils’ analysis of school place projections for all 32 London boroughs for the next four years indicates a 2.5% reduction in demand for reception and a 3.8% decline for year 7. A small number of boroughs could buck the trend and are predicting growth.

Paul Whiteman, general secretary of the school leaders’ union, NAHT, said: “What we need now is an approach to school funding that protects and supports those schools experiencing falling rolls and recognises that trends can change over time.

“Rather than cutting funding, we urge the government to protect it to allow schools to maintain existing staffing levels. This would also help schools to offer smaller classes, deliver more targeted help for pupils who need it, and reduce unsustainable levels of workload for staff.”

Daniel Kebede, general secretary of the National Education Union, said: “At a time of rising pupil need and record class sizes in both primary and secondary schools, government should embrace the opportunity to cut class sizes and improve education quality.”

A Department for Education spokesperson said the government was backing schools with record investment but it recognised the pressures caused by demographic changes that schools across the country are facing.

“Where areas are seeing a reduction in pupil numbers, we are investing £37m so schools can repurpose their spare space to deliver over 5,000 new childcare places as part of our school-based nurseries rollout, giving more children the best start in life,” the spokesperson said.

Part I

1.         Read the article, write out words in bold, be ready to explain the meaning and give examples of your own with these words.

2.        Divide the text of the article into logical parts and write down the sentence that best expresses the very thought of each logical part. Make up a question to each logical part.

3.        Think of the rubric the information comes from and the author’s intention to inform the reader. Mind the key words.

4.        Study the plan of rendering and provide a rendering of the article.

5.        Learn by heart the new vocabulary.

вторник, 16 декабря 2025 г.

Why is Donald Trump suing the BBC?

Why is Donald Trump suing the BBC?

BBC news
16 December 2025
Ian Aikman
US President Donald Trump has filed a multi-billion dollar lawsuit against the BBC.

He has accused the corporation of defamation over an edit of his speech before the US Capitol riot in a Panorama documentary.

The lawsuit, which has been filed in Florida, demands $5bn (£3.7) and accuses the BBC of "intentionally, maliciously, and deceptively doctoring" Trump's speech.

The BBC has said it will defend the case.

It previously apologised to Trump for the edit, but disagreed there was a basis for a defamation claim.

What was in the BBC's Trump documentary?

The Panorama documentary, called Trump: A Second Chance?, was broadcast on 28 October 2024, just days before the US presidential election.

In his speech on 6 January 2021, Trump told a Washington DC crowd: "We're going to walk down to the Capitol, and we're going to cheer on our brave senators and congressmen and women."

More than 50 minutes later in the same speech, he said: "And we fight. We fight like hell."

In the Panorama programme, a clip showed him as saying: "We're going to walk down to the Capitol... and I'll be there with you. And we fight. We fight like hell."

Criticism of the edit emerged more than a year later when a leaked internal memo was published by the Telegraph newspaper.

This led to the resignations of the BBC's director general , Tim Davie, and its head of news, Deborah Turness.

BBC chairman Samir Shah apologised for the edit, which he described as an "error of judgement".

Trump's lawyers sent a letter to the BBC in November, demanding that it immediately retract the documentary, issue an apology, and compensate him. The BBC was given a deadline of 14 November to respond.

The letter added that if the BBC did not comply, the president might file legal action.

Before that deadline, the BBC apologised to Trump and confirmed the programme was not scheduled to be re-broadcast and would not be broadcast again in that form on any BBC platform, but rejected his demands for compensation.

A month later, on 15 December, Trump's legal team filed a lawsuit in Florida.

The filing alleges that the BBC:

defamed Trump "intentionally, with actual malice" by the edit of his speech for the Panorama documentary violated a Florida trade practices law by engaging in "deceptive acts" in editing the speech.

The introduction to the lawsuit says the Panorama edit was a "brazen attempt to interfere in and influence the [2024] election's outcome to President Trump's detriment ".

He is seeking $5bn (£3.7m) in damages.

After Trump filed the lawsuit, a BBC spokesperson said: "As we have made clear previously, we will be defending this case. We are not going to make further comment on ongoing legal proceedings."

Previously, the broadcaster said "we strongly disagree there is a basis for a defamation claim".

In its apology to Trump in November, the BBC said the edit resulted in "the mistaken impression that President Trump had made a direct call for violent action".

BBC chairman Samir Shah separately sent a personal letter to the White House, making clear to Trump that he and the corporation were sorry.

However, the corporation rejected Trump's demands for compensation and set out five main arguments for why it did not think it had a case to answer.

Those arguments were:

The BBC did not have the rights to, and did not, distribute the Panorama episode on its US channels, and it was geographically restricted to viewers in the UK when it was on iPlayer
The documentary did not cause Trump harm as he was re-elected
The clip was not designed to mislead, but just to shorten a long speech, and the edit was not done with malice
The clip was never meant to be considered in isolation; rather, it was 12 seconds within an hour-long programme, which also contained many voices in support of Trump
An opinion on a matter of public concern and political speech is heavily protected under defamation laws in the US.The BBC has said it will defend the case.

Some US news organisations that Trump has sued recently paid multi-million dollar settlements to the president.

Before the case reaches trial, it could be dismissed by a judge. In September, a US federal judge dismissed Trump's $15bn defamation lawsuit against the New York Times because it was submitted with an "improper and impermissible" form, but allowed Trump to refile a shorter complaint.

Legal experts have said arguments over jurisdiction could play a central role, with the case hinging on whether anyone in Florida saw the documentary. The filing says the episode may have been available to viewers in Florida using a VPN or via the BritBox streaming service.

If it does go to trial, the US Constitution's First Amendment gives significant protection to freedom of speech and freedom of the press.

Trump would need to prove three major components - that the content published was factually false in a way that was defamatory; that he suffered harm due to the false and defamatory coverage; and that the media organisation knew it was false and acted with "actual malice".

Chris Ruddy, founder of conservative media outlet Newsmax, and an ally of Trump, told BBC Radio Four's Today programme that it was hard to win a defamation suit in the US because "the bar is very high".

But he said the litigation process could be damaging to the BBC's reputation and expensive, with costs possibly reaching between $50m (£37m) and $100m (£74m).

It is unclear when, or if, the case could go to trial, and how much it could cost the BBC.

Former BBC Radio controller Mark Damazer said it would be "extremely damaging to the BBC's reputation not to fight the case", arguing that the case was "about the BBC's independence".

Task 1. Read the article.
Task 2. Write out and transcribe unknown words.
Task 3. Be ready to explain the meaning of key vocabulary reated to the topic of the article.
Task 4. Think of the gist of the article.
Task 5. Name the topic/sphere the problem comes.

понедельник, 8 декабря 2025 г.

Types of tones

🟢 Tone can be: formal, informal, optimistic, pessimistic, assertive, encouraging, cheerful, hopeful, humourous, sympathetic, comical, critical, mournful, official, elavated, dramatic, tragic etc.

🟢 The author's tone is the attitude of the author or the person speaking.

🟢 Mood is how the work makes the reader feel.

суббота, 8 ноября 2025 г.

Proposed UK Islamophobia definition allows for right to criticise religion, source says

Proposed UK Islamophobia definition allows for right to criticise religion, source says

Source says working group stuck to requirement that definition must not interfere with freedom of speech

Chris Osuh Community affairs correspondent

Mon 20 Oct 2025 16.11 BST 

A new definition of Islamophobia being considered by UK ministers is expected to protect the freedom to criticise Islam, the Guardian understands.

The government launched a working group in February to “define unacceptable treatment, prejudice, discrimination and hate targeting Muslims or anyone who is perceived to be Muslim.”

It is understood the working group submitted its report this month to the communities secretary, Steve Reed, laying out a non-statutory definition of Islamophobia.

The report is private and the government may choose not to publish it or to drop the project entirely. If it goes ahead, the proposed definition is expected to be put to a consultation.

Critics have raised concerns that the definition could limit freedom of speech and the ability to criticise Islam.

In 2019, the Labour party adopted a working definition of Islamophobia from the all-party parliamentary group (APPG) on British Muslims, which included the statement: “Islamophobia is rooted in racism and is a type of racism that targets expressions of Muslimness or perceived Muslimness.”

More than 50 English councils also adopted the APPG’s definition, research by the thinktank Civitas found, but the then Conservative government did not.

A source with knowledge of the matter said the 2019 definition “could be interpreted as being a mechanism by which freedom of expression to criticise Islam could be closed down” and that the working group knew it “must avoid” that.

The source said the working group stuck to its terms of reference that “any proposed definition must be compatible with the unchanging right of British citizens to exercise freedom of speech and expression – which includes the right to criticise, express dislike of or insult religions and/or the beliefs and practices of adherents”.

Chaired by the eminent barrister Dominic Grieve KC, who served as attorney general for England and Wales between 2010 and 2014, the working group on anti-Muslim hatred/Islamophobia definition comprises Muslim community representatives, experts and academics, including the crossbench peer Shaista Gohir and Akeela Ahmed, a co-chair of the British Muslim Network.

A source said: “This is a non-statutory definition and anybody who bothers to look at the terms of reference will that see that it is explicitly made clear that it must not interfere with freedom of expression and that it must not be a blasphemy law through the back door.”

Data released by the government this month showed hate crimes against Muslims had increased by nearly a fifth. In England and Wales, where 3.9 million people identify as Muslim, anti-Muslim hate crime rose to 3,199 offences in the 12 months to March 2025, from 2,690 offences in the previous year.

A Ministry of Housing, Communities and Local Government spokesperson said: “We do not comment on leaks. The department is carefully considering the independent Working Group’s advice on a definition of anti-Muslim hatred/Islamophobia, and no government decisions have been made.

“We will always defend freedom of speech, including fiercely protecting the right to criticise, express dislike of, or insult religions and the beliefs and practices of those who follow them. This will remain at the front of our minds as we review the definition.”

Discussion part

1.      Read the article, write out words in bold, be ready to explain the meaning and give examples of your own with these words.

2.      Divide the text of the article into logical parts and write down the sentence that best expresses the very thought of each logical part. Make up a question to each logical part.

3.      Think of the rubric the information comes from and the author’s intention to inform the reader. Mind the key words.

4.      Study the plan of rendering and provide a rendering of the article.

5.      Learn by heart the new vocabulary.

воскресенье, 19 октября 2025 г.

Аббревиатуры и сокращения в английском языке

Company

Аббревиатуры и сокращения в английском языке

n. (noun) — cуществительное
v. (verb) — глагол
adj. (adjective) — прилагательное
adv. (adverb) — наречие
prep. (preposition) — предлог
conj. (conjunction) — союз
e.g. (for example — от лат. exempli gratia) — например
p. (page) — страница
pp. (pages) — страницы
p.t.o. (please turn over) — перелистните, смотрите на обороте
par. (paragraph) — параграф, раздел
etc (от лат. etcetera) — и так далее
arr. (arrival) — прибытие
dep. (departure) — отбытие
Jan., Feb., Mar., Apr., May, Jun., Jul., Aug., Sept., Oct., Nov., Dec. — месяцы
Mon., Tues., Wed., Thurs., Fri., Sat., Sun. — дни недели
in. (inch) — дюйм
sec. (second) — секунда
gm. (gram) — грамм
cm. (centimetre) — сантиметр
qt (quart) — кварта
cc (cubic centimetre) — кубический сантиметр
m.p.h. (miles per hour) — миль в час
kph (kilometres per hour) — км/ч
ft. (foot) — фут (30 см 48 мм)
lb (libra) — либра (400 гр)
oz (ounce) — унция (28 гр)
Tel. (telephone) — телефон
No., no. (number) — номер
a.m. (от лат. ante meridiem) — до полудня, в утренние часы
p.m. (от лат. post meridiem) — после полудня, пополудни
i.e. (от лат. id est) — то есть
A.D. (от лат. Anno Domini) — нашей эры, после Рождества Христова
B.C. (от лат. before Christ) — до нашей эры, до Рождества Христова
AC (alternating current) — переменный ток
DC (direct current) — постоянный ток
A 1 — первоклассный
a/c (account current) — текущий счет
ad (advertisement) — объявление
app. (от лат. appendix) — приложение
Co. (company) — компания, общество; (county) — округ, графство
Ltd. (limited) — компания с ограниченной ответственностью
C.O.D. (cash on delivery) — наложенным платежом
deg. (degree) — степень
Dept. (department) — отдел; управление
Ed. (editor) — редактор; (edition) — издание
esp. (especially) — особенно
F.A.P. (First Aid Post) — пункт первой помощи
hr (hour) — час
Hy (heavy) — тяжелый
ib.; ibid. (от лат. ibidem) — там же
id. (от лат. idem) — то же самое
IOU (I owe you) — долговая расписка
ital. (italics) — курсив
N.S. (new style) — новый стиль
obs. (obsolete) — устаревший
p.c. (per cent) — процент %
pl. (plural) — множественное число
quot. (quotation) — цитата
S.O.S. (save our souls) — международный радиосигнал бедствия
Sr. (senior) — старший
Jr. (junior) — младший
vy (very) — очень
wt (weight) — вес
attract. (attractive) — привлекательный
corresp. (correspondent) — ведущий переписку
div. (divorced) — разведен(а)
f'ship (friendship) — дружба
gd-lkng (good-looking) — привлекательный
gent (gentleman) — мужчина
gfrnd (girlfriend) — подруга
GP (general practitioner) — практикующий врач
med (medium) — среднего роста
mting (meeting) — встреча
N/D (no-drinker) — непьющий
N/S (no-smoker) — некурящий
pls (please) — пожалуйста
poss. (possible) — возможно
U (you) — ты
LTR (long-term relationship) — длительные отношения
WLTM (would like to meet) — хотел(а) бы встретиться
yr (years) — год, годы
sis (sister) — сестра
Dr., doc (doctor) — доктор
telly (television) — телевизор
phone (telephone) — телефон
vator (elevator) — лифт
zine (magazine) — журнал
specs (spectacles) — очки
fridge (refrigeration) — холодильник
flu (influenza) — грипп
comfy (comfortable) — удобный
imposs (impossible) — невозможный
mizzy (miserable) — жалкий
St (Street) — улица
Rd (Road) — дорога
c/o (care of) — заботиться о
Mr (Mister) — обращение к мужчине
Mrs (Mistres) — обращение к замужней женщине
Ms (Miss) — обращение к девушке
Pref. (preface) — предисловие
P.S. (от лат. post scriptum) — послесловие, постскриптум
w/o (without) — без
w/ (with) - с