воскресенье, 8 декабря 2019 г.

A Short Digest of a Long Novel by Budd Shullberg


      A Short Digest of a Long Novel by Budd Shullberg

       Her legs were shapely and firm and when she crossed them and smiled with the self-assurance that always delighted him, he thought she was the only person he knew in the world who was unblemished. Not lifelike but an improvement on life, as a work of art, her delicate features were chiseled from a solid block. The wood-sculpture image came easy to him because her particular shade of blonde always suggested maple polished to a golden grain. As it had been from the moment he stood in awe and amazement in front of the glass window where she was first exhibited, the sight of her made him philosophical. Some of us appear in beautiful colors, too, or with beautiful grains, but we develop imperfections. Inspect us very closely and you find we're damaged by the elements. Sometimes we're only nicked with cynicism. Sometimes we're cracked with disillusionment. Or we're split with fear.
When she began to speak, he leaned forward, eager for the words that were like good music, profundity expressed in terms that pleased the ear while challenging the mind.
"Everybody likes me," she said. "Absolutely everybody."
It was not that she was conceited. It was simply that she was only three. No one had ever taken her with sweet and whispered promises that turned into morning-after lies, ugly and cold as unwashed dishes from last nights dinner lying in the sink. She had never heard a dictator rock her country to sleep with peaceful lullabies one day and rock it with bombs the next. She was undeceived. Her father ran his hands reverently through her soft yellow hair. She is virgin, he thought, for this is the true virginity, that brief moment in the time of your life before your mind or your body has been defiled by acts of treachery.
It was just before Christmas and she was sitting on her little chair, her lips pressed together in concentration, writing a last-minute letter to Santa Claus. The words were written in some language of her own invention but she obligingly translated as she went along.
Dear Santa, I am a very good girl and everybody likes me. So please don't forget to bring me a set of dishes, a doll that goes to sleep and wakes up again, and a "washing machine. I need the washing machine because Raggedy Ann's dress is so dirty.
After she finished her letter, folded it, and asked him to address it, he tossed her up in the air, caught her and tossed her again, to hear her giggle. "Higher, Daddy, higher," she instructed. His mind embraced her sentimentally: She is a virgin island in a lewd world. She is a winged seed of innocence blown through the wasteland. If only she could root somewhere. If only she could grow like this.
"Let me down, Daddy," she said when she had decided that she had indulged him long enough, "I have to mail my letter to Santa."
"But didn't you see him this afternoon?" he asked. "Didn't you ask for everything you wanted? Mommy said she took you up to meet him and you sat on his lap."
"I just wanted to remind him," she said. "There were so many other children."
He fought down the impulse to laugh, because she was not something to laugh at. And he was obsessed with the idea that to hurt her feelings with laughter was to nick her, to blemish the perfection.
"Daddy can't catch me-ee," she sang out, and the old chase was on, following the pattern that had become so familiar to them, the same wild shrieks and the same scream of pretended anguish at the inevitable result. Two laps around the dining-room table was the established course before he caught her in the kitchen. He swung her up from the floor and set her down on the kitchen table. She stood on the edge, poised confidently for another of their games. But this was no panting, giggling game like tag or hide-and-seek. This game was ceremonial. The table was several feet higher than she was. "Jump, jump, and Daddy will catch you," he would challenge. They would count together, one, two, and on three she would leap out into the air. He would not even hold out his arms to her until the last possible moment but he would always catch her. They had played the game for more than a year and the experience never failed to exhilarate them. You see, I am always here to catch you when you are falling, it said to them, and each time she jumped, her confidence increased and their bond deepened.
They were going through the ceremony when the woman next door came in with her five-year-old son, Billy. "Hello, Mr. Steevers," she said. "Would you mind if I left Bill with you for an hour while I do my marketing?"
"No, of course not, glad to have him," he said and he mussed Billy's hair playfully. "How's the boy, Billy?"
But his heart wasn't in it. This was the only afternoon of the week with her and he resented the intrusion. And then too, he was convinced that Billy was going to grow up into the type of man for whom he had a particular resentment. A sturdy, good-looking boy, big for his age, aggressively unchildlike, a malicious, arrogant, insensitive extrovert. I can just see him drunk and red-faced and pulling up girls' dresses at Legion Conventions, Mr. Steevers would think. And the worst of it was, his daughter seemed blind to Billy's faults. The moment she saw him she forgot about their game.
"Hello, Billy-Boy," she called and ran over to hug him.
"I want a cookie," said Billy.
"Oh, yes, a cookie; some animal crackers, Daddy."
She had her hostess face on and as he went into the pantry, he could hear the treble of her musical laughter against the premature baritone of Billy's guffaws.
He swung open the pantry door with the animal crackers in his hand just in time to see it. She was poised on the edge of the table. Billy was standing below her, as he had seen her father do. "Jump and I'll catch you," he was saying.
Smiling, confident and unblemished, she jumped. But no hands reached out to break her flight. With a cynical grin on his face, Billy stepped back and watched her fall.
Watching from the doorway, her father felt the horror that possessed him the time he saw a parachutist smashed like a bug on a windshield when his chute failed to open. She was lying there, crying, not so much in pain as in disillusionment. He ran forward to pick her up and he would never forget the expression on her face, the new expression, unchildlike, unvirginal, embittered.
"I hate you, I hate you," she was screaming at Billy through hysterical sobs.
Well, now she knows, thought her father, the facts of life. Now she's one of us. Now she knows treachery and fear. Now she must learn to replace innocence with courage.
She was still bawling. He knew these tears were as natural and as necessary as those she shed at birth, but that could not overcome entirely the heavy sadness that enveloped him. Finally, when he spoke, he said, a little more harshly than he had intended, "Now, now, stop crying. Stand up and act like a big girl. A little fall like that can't hurt you."

Task 1. Read the text. 
Task 2. Write out and translate the words in bold.
Task 3. Write 5 questions to discuss the plot. 
Task 4. Find information about the author. 
Task 5. Write a summary.






Prezi for A SHORT DIGEST OF A LONG NOVEl

Go through this link to watch the presentation of the story A short digest of a long story by Budd Schullberg 

пятница, 1 ноября 2019 г.

W Somerset Maugham (1874-1965) - The Relations of Art and Life

 W Somerset Maugham' s Biography (1874-1965) - The Relations of Art and Life



1. Watch this video and be ready to speak on what gives inspiration to W.S. Maugham to write his stories.


Mr Know-All by W.Somerset Maugham

Mr. Know-All

Max Kelada (Nigel Patrick) annoys his fellow passangers by dominating all the onbard social events, vesves by his insistence that he is an expert on all 
Stars: Nigel Patrick, Anne Crawford, Naunton Wayne, Wilfrid Hyde-White, Clive Morton, Bill Travers, Dennis Harkin, Michael Medwin.

1. Watch this video and write a summary.
2. Be ready to give your opinion about this film.
3. Read the review above.
Review of Mr Know-All
In Mr Know-All by W. Somerset Maugham we have the theme of contempt, control, honour, change, ego, appearance and honesty. Taken from his Collected Short Stories collection the story is narrated in the first person by an unnamed male and from the beginning of the story it becomes clear to the reader that Maugham may be exploring the theme of contempt. The narrator has a strong dislike for Kelada and appears to have firstly formulated his opinion based solely on the fact that he is forced to share a berth with Kelada. Which says a lot for the narrator who unlike Kelada is a very private man. The fact that the narrator also plays patience may be symbolically important as it is possible that Maugham is suggesting that the narrator likes his own space. Something that is made clearer to the reader by the fact that the narrator wishes to choose for himself where he sits in the dining room. It may also be important that Kelada chooses where the narrator sits as this would border on control. Kelada appears to like controlling a situation. Though some critics may suggest that Kelada is only being helpful the fact that he is chief organiser for the many activities on the ship further suggests that Kelada likes control.
Kelada also appears to be thick skinned as it does not bother him that people on the ship call him Mr Know-All. On the contrary Kelada takes it as a compliment. In many ways Kelada is different to the other passengers on the ship. Nothing appears to faze him. However things change when Mr Ramsay suggests that Kelada doesn’t know anything about the business of pearls. Mr Ramsay’s accusation is like a red flag to a bull and when Ramsay issues Kelada with a challenge Kelada readily accepts. It is as though Kelada’s honour is being challenged which would play on the theme of appearance. Kelada does not wish to be seen as a fool which suggests that appearance is important to Kelada. It may also be a case that Kelada for the first time in the story fears losing control of a situation. Prior to being challenged Kelada was in control of not only himself but of others too. Ramsay’s challenge is a direct challenge on Kelada’s dignity.
The fact that Kelada allows Ramsay win the wager says a lot about Kelada. As Kelada looks at the pearls he acknowledges the fear in Mrs Ramsay’s eyes and does the honourable thing and allows Ramsay to win the wager. This says a lot for Kelada as previously many readers might have had a similar view as the narrator when it came to Kelada. If anything Kelada put Mrs Ramsay first as he had previously done with the other passengers on the ship.  Kelada might like controlling a situation but he also knows when it is appropriate to hold back. Something that Kelada does when it comes to the wager. Rather than embarrassing Mrs Ramsay Kelada allows himself to be the one that is embarrassed. Even if it means that he might be viewed upon differently by the other passengers on the ship. Kelada does not allow his ego to rule unlike Mr Ramsay. There is a sense that Kelada unlike Mr Ramsay is able to swallow his pride in order that an individual (Mrs Ramsay) is not offended.
What is interesting about the end of the story is not the fact that the narrator changes his opinion about Kelada. Who the narrator now sees as a man of honour. But what is interesting is whether it was Mr or Mrs Ramsay who decided to return the hundred dollars. If anything it is likely that Mr and Mrs Ramsay had an honest conversation when they returned to their berth and Mrs Ramsay advised Mr Ramsay as to the exact cost of the pearl necklace. Something that Mr Ramsay would have been unaware of due to his being away from home so much. If it is a case that Mrs Ramsay told Mr Ramsay the truth than Maugham appears to be placing the spotlight on the Ramsay’s relationship. Where previously the focus for the entire story had been on Kelada at the end of the story it appears as though there may be frictions within the Ramsay marriage. However it is difficult to say for certain as to what Mrs Ramsay might have said as any conversation she may have had with her husband is private. The reader never knows though Kelada might have an idea as to exactly what happened when he tells the narrator ‘if I had a pretty little wife I shouldn’t let her spend a year in New York while I stayed at Kobe.’ This line may be important as it suggests that Kelada does indeed know what happened between Mr and Mrs Ramsay after Kelada lost the wager. Though being an honourable man Kelada never directly explains his words to the narrator who in reality may not need the line explained.