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Article /28.04.2021/BBC News
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Expressive Means and Stylistic Devices
Phonetic Expressive Means and Stylistic Devices
| SD and EM | Description | Example | 
| Onomatopoeia звукоподражание, ономатопея | Is a combination of
  speech-sounds which aims at imitating sounds produced in nature, by things,
  by people and animals. | Ding-dong, buzz, bang, cuckoo, roar, ping-pong | 
| Alliteration аллитерация | Is the repetition of similar
  sounds, in particular consonants, in close succession, often in the initial
  position. | "Deep into the darkness peering,
  long I stood there wondering, fearing, doubting,
  dreaming dreams no mortal ever dared
  to dream before." (E.A. Poe) | 
| Rhyme  рифма, ритм | Is the repetition of
  identical or similar terminal sound combinations of words. In the verse
  rhyming words are usually placed at the end of the corresponding lines. | "I bring
  fresh showers for the thirsting flowers." (Shelly) | 
| Rhythm  ритмичность, гармония | Is a flow, movement,
  procedure, etc., | “The high-sloping roof, of a fine sooty pink was almost Danish, and two
  “ducky” little windows looked out of it, giving an impression that every tall
  servant lived up there” (J. Galsworthy) | 
Lexical Expressive Means and Stylistic Devices
| SD and EM | Description | Example | 
| Bathos  ложный пафос, неожиданный переход от возвышенного стиля к
  вульгарному | Means bringing together
  unrelated elements as they denoted things equal in rank or belonging to one
  class, as if they were of the same stylistic aspect. By being forcibly linked
  together, the elements acquire a slight modification of meaning. | "They
  grieved for those who perished with the cutter and also for the biscuit-casks
  and butter." (Byron) | 
| Metaphor  метафора, образное выражение | Is a figure of speech that
  says that one thing is another
  different thing. This allows us to use fewer words and forces the reader
  or listener to find the similarities between objects! WITHOUT using as
  or like! | Time is
  money.                   Frozen
  with fear. The world is a stage. | 
| Metonymy метонимия | Is the term used when the
  name of an attribute or object is substituted for the object itself. It is
  based on some kind of association connecting two concepts which are
  represented by the dictionary and contextual meanings.   | The Stage =the theatrical profession; The Crown =  the King or Queen; a hand = a worker | 
| Irony  ирония, осмеяние | Is incongruity between the literal
  and the implied Meaning | She turned with the sweet
  smile of an alligator. It must be delightful to
  find oneself in a foreign country without a penny in one pocket. | 
| Zeugma  зевгма | Is a figure of speech in which a
  word applies to two others in
  different senses | John and his driving license
  expired last week. Whether the Nymph Shall
  stain her Honour or her new Brocade or lose her Heart or necklace at a Ball.
  (Pope) | 
| PUN игра слов,
  каламбур  | “Play upon words” is an amusing use
  of a word or phrase with two meanings | –       
  Did you miss my lecture? –       
   Not at all. What is the difference
  between a schoolmaster and an engine-driver? One trains the mind and the
  other minds the train. | 
| Epithet  эпитет | Is unusual description of an object | stone-cold heart, wild wind, loud ocean, heart-burning smile, slavish knees | 
| Reversed epithet | Is composed of two nouns linked in an
  of-phrase. The subjective, evaluating, emotional element is embodied not in
  the noun attribute but in the noun structurally described | " …a dog of a fellow"(Dickens); " a devil of a job"(Maugham); "a little Flying Dutchman of a cab"(Galsworthy) | 
| Oxymoron оксюморон | is a figure of speech that combines contradictory
  objects (combination of incongruous with negative meaning). | delicious
  poison, alive
  souls,                      hot snow, low
  skyscraper, pleasantly
  ugly, sweet
  sorrow, proud
  humility                         | 
| Antonomasia антономазия | Is a part of Metonymy, which is a substitution of any epithet or phrase
  for a proper name. |  Napoleon 1, Alma Mater, “I suspect that the Noes and Don’t Knows would far outnumber the Yesses”
  (The Spectator)  | 
| Simile сравнение | Is where two or more unlike objects
  are compared. Structure: Object1 is like/as Object2 | He is like a stone,               He stood as a pole, "I saw the jury return, moving like underwater swimmers…"              | 
| Periphrasis (circumlocution) Перифраз, замена прямого значения описательным
  выражением | ‘Speaking around’ is longer-phrase which is used instead of a shorter one
  word. | To tie a
  knot - to get married ,  a gentleman of the long robe – a lawyer, the fair
  sex – women, a play of
  swords – a battle     | 
| Euphemism  эвфемизм | is one word
  which can replace grosser or vulgar word in a sentence | They think
  we have come by this horse in some dishonest manner.  To pass away / to join the majority = to die A
  four-letter word = an obscenity.   | 
| Hyperbole гипербола, преувеличение | Is exaggerated statement or
  claims to create a strong emotional response. | I've told
  you a million times. A thousand
  pardons scared to death  I’d give the world to see him | 
| Cliché  клише, избитая фраза | Is an expression that has become hackneyed
  and trite. | Rosy dreams of youth, to grow by leaps and bounds,  the patter of rain,  to withstand the test of time. | 
| Allusion намек, ссылка, упоминание  | Is and indirect reference, by
  word or phrase, to a historical,
  literary, mythological, biblical fact or to fact of everyday life made in
  the course of speaking or writing. | "Pie in the sky" for Railmen" = means nothing but promises (a line from the well-known workers’ song: "You’ll get pie in the sky
  when you die") | 
| Comparison  сравнение | Is where two or more objects of the same class are compared, Structure: Object1 is like/as Qbject2. | You’re like your mother | 
| Metonymy метонимия | Is based on association, the name
  of one thing is used in place of the name of another, closely related to
  it. Is used to show a part of the
  whole. | He writes
  a fine hand. She works
  with a                Newspaper. New faces at the meeting   | 
| Antithesis антитеза, контраст | Is a figure of speech that
  combines contradictory objects
  sharp. | War and
  peace                  Our force is truth        | 
| Personification | Is a figure of speech that gives the qualities of a livingthings to lifeless objects. | The sun goes down Car’seyes gazed at me       | 
| Under- statement/ meiosis | Is the exaggeration of objects. | She wore a pink hat, the size of a
  button.                   | 
| Litotes | Is a structural part of meiosis which gives to the objects underestimation by the means of
  negation  (un-, not). | It's not bad The situation was not        unusual | 
Syntactical Stylistic Devices
| Parallel construction | Is a device in which the necessary condition is identical, or similar,
  syntactical structure in two or more sentences or parts of a sentence in
  close succession. | "There were,…,real silver
  spoons to stir the tea with, and real china cups to drink it out of, and
  plates of the same to hold the cakes and toast in". | 
| Chiasmus (reversed parallel construction) | Is based on the repetition of a syntactical pattern, but it has a cross
  order of words and phrases. | "Down dropped the breeze, The
  sails dropped down.”" (Coleridge) "His jokes were sermons, and
  his sermons were jokes." (Byron) | 
| Repetition  | Is an expressive means of language used when the speaker is under the
  stress or strong emotion? | "I am exactly the man to be placed in a superior position in such a case
  as that. I am above the rest of mankind, in such a case as that. I can act
  with philosophy in such case as that." (Dickens) | 
| Anaphora  | Is when the repeated word (or phrase) comes at the beginning of two or
  more consecutive sentences, clauses or phrases. | She knew of their existence by hundreds and thousands.She knew what results
  in work a given number of them produce… She knew them in crowds
  passing… like ants or beetles. But she knew from her reading…more of
  the ways of toiling insects, than of these toiling men and women (Dickens). | 
| Epiphora  | Is when the repeated unit is placed at the end of the consecutive
  sentences, clauses or phrases. | Now this gentleman had a
  younger brother…who had tried life as a cornet of dragoons, and found it a
  bore; and afterwards tried it in the train of an English minister abroad,
  and found it a bore;  and had then strolled to
  Jerusalem, and got bored there; and had then gone yachting about the
  world, and got bored everywhere (Dickens). | 
| Anadiplosis | Is structured so that the last word or phrase of one part of one part of
  an utterance is repeated at the beginning of the next part, thus hooking the
  two parts together. | And a great desire for peace, peace of no matter what kind,
  swept through her. (A.Bennet) | 
| Framing  | Is an arrangement of repetition in which the initial parts of a
  syntactical unit, in most cases of a paragraph, are repeated at the end of
  it. | Never
  wonder. By means of addition,
  subtraction, multiplication, and division, settle everything somehow, and never
  wonder (Dickens). | 
| Enumeration  | Is a stylistic device by which separate things, objects, phenomena,
  actions are named one by one so that they produce a chain, the links of which
  are forced to display some kind of semantic homogeneity, remote though it may
  seem. | "Scrooge was his sole executor, his sole administrator, his sole assign,
  his sole residuary legatee, his sole friend and his sole mourner." (Dickens) | 
| Suspense  | Is arranging the matter of a communication in such a way that the less
  important, subordinate parts are amassed at the beginning, the main idea
  being withheld till the end of the sentence. Thus the reader’s attention is
  held and his interest is kept up. | "Mankind, says a Chinese manuscript, which my friend M. was obliging
  enough to read and explain to me, for the first seventy thousand ages ate
  their meat raw." (Charles
  Lamb)   | 
| Climax (Gradation) | Is an arrangement of sentences (or homogeneous parts of one sentence)
  which secures a gradual increase in significance, importance, or emotional
  tension in the utterance. | "Little by little, bit by bit, day by day, and year by year the baron got
  the worst of some disputed question." (Dickens) | 
| Anticlimax  | Is an arrangement of ideas in ascending order of significance, or they
  may be poetical or elevated, but the final one, which the reader expects to
  be the culminating one, as in climax, is trifling or farcical. There is a
  sudden drop from the lofty or serious to the ridiculous. | "This war-like speech, received with many a cheer, had filled them with
  desire of flame, and beer." (Byron) | 
| Antithesis  | Is based on relative opposition which arises out of the context through
  the expansion of objectively contrasting pairs. | "A saint abroad, and a devil at home" (Bunyan) "Better to reign in the hell than serve in heaven."
  (Milton) | 
| Asyndeton | Is a connection between parts of a sentence or between sentences without
  any formal sign, the connective being deliberately omitted.   | "Soames turned away; he had an utter disinclination for talk, like one
  standing before an open grave, watching a coffin slowly lowered." (Galsworthy) | 
| Polysyndeton  | Is the connection of sentences, or phrases, or syntagms, or words by
  using connectives (mostly conjunctions and prepositions) before each
  component part.  | "The heaviest rain, and snow, and hail, and sleet, could boast of the
  advantage over him in only one respect."(Dickens) | 
| Ellipsis  | Imitates the common features of colloquial language, where the situation
  predetermines not the omission of certain members of the sentence, but their
  absence.  |  "Nothing so difficult as the
  beginning." (Byron) | 
| Break-in-the-narrative (Aposiopesis) | Is a break in the narrative used for some stylistic effect |  "You just come home or
  I'll..." | 
| Litotes  | Negative constructions aimed at establishing a positive feature in a
  person or thing. | "He was not without taste ..." "It troubled him not a little …" | 
 










